Cut with the Kitchen Knife Redux. 2016–17. This series takes as its source material stock illustrations of wheels, gears, products, and female figures plucked from early 20th-century magazine advertisements. The title is a reference to the Dada artist Hannah Höch and the visual language she constructed in response to the political corruption, civil unrest, and machine-enabled wars of Europe in the 1920s and 30s.

Risograph printing. a2-sized. Edition of 50. Printed at the Charles Nypels Lab in Maastricht, The Netherlands. You can purchase the prints from The Unofficial Press shop.